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The Comics Alternative

The Comics Alternative is weekly podcast focusing on the world of alternative, independent, and primarily non-superhero comics. (There's nothing wrong with superhero comics. We just want to do something different.) New podcast episodes become available every Wednesday and include reviews of graphic novels and current ongoing series, discussions of upcoming comics, examinations of collected editions, in-depth analyses of a variety of comics texts, and spotlights on various creators and publishers. The Comics Alternative also produces "special feature" programs, such as shows specifically dedicated to creator interviews, webcomics, on-location events, and special non-weekly themes and topics.


Feb 13, 2017

Time Codes:

  • 00:00:27 - Introduction
  • 00:03:03 - Setup of episode
  • 00:03:50 - The Specialists
  • 00:32:17 - Hominids
  • 01:01:33 - Checking in with Jim McClain and Paul Schultz
  • 01:16:16 - The Last Saturday
  • 01:38:20 - Wrap up
  • 01:39:52 - Contact us


February Fun

For the month of February, Sean and Derek look at three very different webcomics. They begin with Al Fukalek and Shawn Gustafson's The Specialists, an alternate history superhero narrative set in the mid-1940s, with an undefeated Germany flexing its might with its own team of superpowered individuals, Die Übermenschen. The United States fights back with The Specialists, a diverse collection of heroes that is, at times, more propaganda than powered.

Next, the guys look at what is arguably the highlight of this month's episode, Jordan Kotzebue's Hominids. This fantasy adventure is set in world populated by varied creatures, the central of which are a race of jungle dwellers. This is a tale with complex moral undertones, but whose message isn't overbearing or preachy. Plus, Kotzebue's art is outstanding.

After a brief check-in with Jim McClain and Paul Schultz -- their Poe and the Mysteriads was launched just last month -- Sean and Derek turn to the last webcomic of the month. Chris Ware's  The Last Saturday appeared in The Guardian during the last half of 2014 and into September 2015, and the guys discuss the ways in which Ware employs the webcomic format. In fact, they both feel that this story never really utilizes the unique qualities of the platform. We could get the same effect in print. Still, this is an engaging narrative whose topic and style should be familiar to any Chris Ware fan.

Check out the books by creators discussed on this episode: