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The Comics Alternative - Smart Discussions on Comic Books and Graphic Novels


The Comics Alternative is weekly podcast focusing on the world of alternative, independent, and primarily non-superhero comics. (There's nothing wrong with superhero comics. We just want to do something different.) New podcast episodes become available every Wednesday and include reviews of graphic novels and current ongoing series, discussions of upcoming comics, examinations of collected editions, in-depth analyses of a variety of comics texts, and spotlights on various creators and publishers. The Comics Alternative also produces "special feature" programs, such as shows specifically dedicated to creator interviews, webcomics, on-location events, and special non-weekly themes and topics.

 

May 24, 2017

Time Codes:

  • 00:01:23 - Introduction
  • 00:05:11 - Welcome new Patreon supporters!
  • 00:08:34 - Boundless
  • 00:44:55 - User
  • 01:16:41 - Wrap up
  • 01:17:43 - Contact us

This week on the review show Paul joins Derek in discussing two new recent releases. They begin with Jillian Tamaki's Boundless, published by Drawn and Quarterly. This is a collection of nine short stories, most of which have been previously published in FrontierNobrow, and Hazlitt.net. The guys begin by discussing how Tamaki structures the contents, along with including new pieces, in order to give the collection visual and thematic coherency. Unlike her longer narratives Skim and This One Summer, both with her cousin Mariko, Tamaki tends to use the shorter storytelling forms to create pieces that are slightly askew and bend the reality that we know.

Next, Paul and Derek turn to Devin Grayson, John Bolton, and Sean Phillips's User (Image Comics). This was originally published as a three-issue prestige-format miniseries through Vertigo Comics in 2001, but until now has never been collected in a single volume. User is the tale of a young woman finding refuge in a MUD, escaping the chaos that surrounds her real-life work and family. What makes the narrative notable is its handling of online interaction and gender identification, quite provocative at the time of its original publication. And while the guys appreciate what Grayson and company are doing, they note the slightly dated nature of this comic. As they point out, understanding the temporal context puts everything into perspective.