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The Comics Alternative - Smart Discussions on Comic Books and Graphic Novels


The Comics Alternative is weekly podcast focusing on the world of alternative, independent, and primarily non-superhero comics. (There's nothing wrong with superhero comics. We just want to do something different.) New podcast episodes become available every Wednesday and include reviews of graphic novels and current ongoing series, discussions of upcoming comics, examinations of collected editions, in-depth analyses of a variety of comics texts, and spotlights on various creators and publishers. The Comics Alternative also produces "special feature" programs, such as shows specifically dedicated to creator interviews, webcomics, on-location events, and special non-weekly themes and topics.

 

Jul 18, 2017

Time Codes:

  • 00:00:24 - Introduction
  • 00:02:26 - Setup of interview
  • 00:04:21 - Interview with Gabrielle Bell
  • 01:00:03 - Wrap up
  • 01:01:21 - Contact us

On this interview episode Andy and Derek are pleased to have as their guest Gabrielle Bell. Her latest book, Everything Is Flammable, came out recently from Uncivilized Books. The guys talk with Gabrielle extensively about the idea for this book -- described as her first long-form graphic memoir -- and how it evolved from her work on short diary pieces. What binds most of the entries in Everything Is Flammable are her experiences with her mother after her northern California house was destroyed in a fire. The guys also ask her about her annual event, the July diary, a project in which she was in the middle of at the time of this recording. Gabrielle discusses both the pleasures and the struggles of completing her self-imposed month-long project and how this year's daily stories surround her time house- and pet-sitting for her friend and publisher, Tom Kaczynski. Along the way, Gabrielle reveals her various thoughts on being a semi-autobiographical cartoonist, the uncertainties of including friends and family members in her comics, the responsibilities she feels in those representations, and the very problem of trying to pigeonhole her work within a particular genre or form.